EXT. TITAN—DAY
THANOS strides out of a wormhole onto the ruined surface of the planet TITAN. Crashed spaceships and broken towers rise from a desolate waste.
Thanos looks tired.
STARK (O.S.)
Now, see, you are much more of a “Thanos.”
Thanos turns in mild surprise to TONY STARK, taking the place of Doctor Strange in this fic because the author is an Iron Man fan. Iron Fan? Anyway.
THANOS
I take it the Maw is dead.
STARK
Long face, no lips, Wizard-type Pokemon? Weak against explosive decompression? He didn’t exactly give a formal intro, but he told me your plan before his no-suit EVA. You want to kill half of everyone?
THANOS
I thought you of all people would understand, Robert.
STARK
Who’s Robert? The Maw guy gave me the pitch. The world’s too small, there are too many people, yadda yadda, I’ve heard better takes on Malthus from stoned Freshmen. Come on. What’s this really about?
THANOS
Bobby—can I call you Bobby? Where do you think we are?
STARK
Let me guess. Your home planet climate changed itself to death.
THANOS
This isn’t my home planet, Bobbert. It’s my home franchise.
An EXTREMELY CINEMATIC SIDE WIPE replaces the desolation behind Thanos with—
STARK
Movie posters?
THANOS
The Titan Cinematic Universe. And it was beautiful. Fourteen main film series, two intertwined crossover event trilogies, and that was before we got the T-Men rights back.
STARK
So what happened?
THANOS
What’s happening to you, now.
STARK
They were… talked to death by giant purple men?
THANOS
They ran out of space.
STARK
There’s a lot of space up there. We just flew past like a billion light years of it.
THANOS
Narrative space, Robert. Don’t you remember how it was? At the beginning? So simple? Just you, Gwyneth Paltrow, Terrence Howard, a bunch of ethnic stereotype terrorists, and The Dude?
Thanos snaps himself a DRINK, and offers one to Stark.
THANOS
White Russian?
STARK
What’s Nat got to do with this?
THANOS
That’s exactly what I mean! By Iron Man 2 you’re already establishing characters for two movies down the road. Things used to have a beginning, a middle, and an end! Clean. Simple. Now it’s all references to references. Stories piled over stories until meaning fuzzes out and all you can say is, ‘well, that happened.’ Is that art?
STARK
It hasn’t been so bad. Except for that airport fight.
THANOS
What would you say if I told you that right now, back on Earth, we’re already ten minutes into the climactic action sequence of this film? And there’s still a full hour left to go?
STARK
This isn’t a movie, Thanos. This is real life!
THANOS
Real life? My name is THANOS, and I want half the universe to DIE. You know six people with alliterative names and I’m sure I’m missing some. Didn’t you wonder why the Avengers didn’t help you save the President from Extremis?
STARK
I figured that was just because I’m kind of, you know, a jerk. It’s not proof we’re in a movie series.
THANOS
Look, Bobby, which of us holds the actual honest-to-Stan Reality Gem? That grants knowledge of the true nature of the universe?
STARK
I thought it was more of a Reality Stone.
THANOS
Do NOT get me started on the Gem / Stone thing.
STARK
Okay. Say I take your word we’re in a movie. I don’t see how that makes killing half the people in the universe a good idea.
THANOS
There are thirty-two people in this movie that someone at Marvel thinks might belong on a poster. THIRTY-TWO core characters. Let’s say we give each of them five minutes of character arc. Half a Steven Universe episode for all their growth, pathos, and discovery. That’s one hundred sixty minutes of screen time. That’s as long as OUT OF AFRICA!
STARK
Wait. Hold on. You watch Steven Universe?
THANOS
I’m a huge purple space man. One, Amethyst is bae, and two, that has nothing to do with this conversation.
STARK
You’re talking about a hundred sixty minute movie. Maybe more like 150—you can have more than one person on screen at a time, you know. Though maybe you don’t. You more of a Bergman guy? Long shots of Swedes brooding at landscape?
THANOS
You spend a lot of time in a suit of armor, Robert. What’s the average capacity of the human bladder? Especially if the movie theater serves beer?
STARK
… Okay, fair point.
THANOS
And it’s only getting worse! All I want is a story that makes sense. Clear desire lines. Consequences. But-therefore storytelling. I want unities. I want Aristotle.
STARK
Aristotle thought women had fewer teeth than men. Just saying. Guy wasn’t right about everything.
THANOS
This universe needs editing. And the Infinity Gems will be my red pen. Fair and arbitrary.
STARK
That won’t work! Think about it: when someone dies for good reason in a story, it feels right. You want them back, but you have to accept they’re gone. Like Jean Grey in the Dark Phoenix Saga!
THANOS
Oh yes, Robert, thank you, great example of a narratively consequential death respected by future writers. No, this is the way. Remove characters wholesale, as if they’d never been added. No closure. No illusions. No reboots.
(Because the MCU doesn’t have the rights to the X-Men, the X-Men can be a comic book in the MCU. Because fiction.)
STARK
You don’t get it, Thanos. Say you’re right, okay? Serials have different narrative and structural constraints than classical drama. This isn’t Greece any more, man. Summers are hot and getting hotter. People want an excuse to sit in a dark air-conditioned room, drink a beer, forget their troubles, see people they like try hard at things and succeed, and then go home and write fucky fanfiction about it. Do you think some kind of bummer formalist ending is gonna help us, beyond setting up a cliffhanger for another, even longer film?
THANOS
(taken aback)
Well, I… That is…
STARK
And there’s one other structural aspect of a narrative serial you don’t seem to have considered.
THANOS
What’s that?
STARK
The power of the crossover. Get ‘im, team!
THANOS
Wait. Team?
DOCTOR STRANGE, out of nowhere, slams a SPACESHIP into Thanos, and a HUGE BATTLE BEGINS.
EXT. TITAN—MINUTES LATER
… and, at the end of the battle sequence, as THANOS strains against his bonds, MANTIS drops out of a magic portal onto his HEAD.
MANTIS
Sleep.
THANOS
Now, this is EXACTLY what I mean. YOU ALL FORGOT SHE WAS EVEN IN THIS SCENE…. Zzzzzzz.
EXT. WAKANDA—LATER STILL
Thanos raises the Soul Stone.
THANOS
Okay. That was almost bad. But now… At last… we shall have narrative consequence and dramatic—
Then, out of Nowhere, THOR swoops in and impales him with an AXE.
THOR
THANOS! Might I AXE Thou a QUESTION?
THANOS
Are we seriously doing this bit twice in one film?
THOR
Yea, Verily! For Tony Of Every Frame A Painting Hath Spake: Things Coming Into Frame Are Funny!
THANOS
… Okay. We’re done here.
SNAP.
Max Gladstone writes books about the cutthroat world of international necromancy: wizards in pinstriped suits and gods with shareholders’ committees. You can follow him on Twitter.
The Russo brothers are trying to get a hold of you.
THANOS
Thanos snaps himself a DRINK, and offers one to Stark.
THANOS
STARK
Hah, dead :)
The Dude is more a STELLA ARTOSE man now I hear.
Given how the Inhuman chrysalis thing was a backdoor into semi-random mutants showing up, I wonder how X-Men would go over in the MCU. It’s a bit more literal in the MCU.
Ok, huge bonus points for working Every Frame a Painting into this.
I think the difference in structure between one-shots and serials is a good one that I’d actually like to see discussed in more depth.
As long as they can keep delivering lines as great as, “He’s from space, he’s here to steal a necklace from a wizard” the MCU should keep on keeping on.
I say this as someone who’s fallen into this trap. No hate here.
This article metas itself in circles. The writer is so busy making clever offshoots that there’s no impact to the overall piece. You know how Deadpool gets sidetracked with in-jokes and loses the plot? In this piece, both Tony and Thanos AND the narrator are Deadpool. No one is the straight man keeping the ball rolling.
This is the heart of it: “You don’t get it, Thanos. Say you’re right, okay? Serials have different narrative and structural constraints than classical drama. This isn’t Greece any more, man. Summers are hot and getting hotter. People want an excuse to sit in a dark air-conditioned room, drink a beer, forget their troubles, see people they like try hard at things and succeed, and then go home and write fucky fanfiction about it. Do you think some kind of bummer formalist ending is gonna help us, beyond setting up a cliffhanger for another, even longer film?”
Critics and cineastes don’t get it. I, and most of the planet, are not paid to see movies, and we don’t wish to consume art…we want to spend between 100 and 150 (180 is a bit much unless you’ve earned it) enjoying ourselves. We want to be damn sure we’re absolutely going to enjoy ourselves, because our jobs are not sitting a theater waiting to be surprised and delighted by a moving little indie flick…because all too many of those are self-indulgent crap.
Forget the cost of movies (though a family of four, plus concessions, etc., can get spendy), what is precious is my TIME, and when I invest one of my two all too scarce weekend evenings, I don’t want surprised delight, I want a damned sure thing.
Whether anyone in literature,the arts, or academia likes it or not, almost the entire planet does NOT have the luxury of blowing an afternoon or evening on something that could be sublime, but could also turn into a dumpster fire in Act III. When I go to the movie theater, I want a movie that 1) I know will entertain me, and 2) really needs to be seen on a big screen with Dolby Atmos sound.
Everything else, I can catch <Obadiah Stane voice> at home, on Netflix, with a bowl of popcorn!
@9 Exactly. I can’t think of the last non-Marvel movie I saw in the theaters. Dunkirk maybe? And that was for the same reason, it was a movie that NEEDED to be experienced in a theater. I’ll be seeing John Wick 3 as well in theaters.
But Detective Pikachu, though I am very excited about it, I will be waiting to see it at home.
Any movie that looks cool, but seems iffy, I just wait.
I mean, I’m a cheapskate anyway at the theater. I only go to early bird showings(9:45 this Sunday, baby!), I smuggle in snacks, and I only ever buy a drink, and usually a souvenir cup.
Movie theaters aren’t the only visual medium we have, home systems can be comparable to the movie experience these days, for most people going to the movies is an “event” thing.
Yes to the event thing. Sometimes the audience reaction enhances your experience. Once in awhile the reaction is over the top and you miss the next couple of lines of dialogue.
My decline in attending theaters, besides the cost of a single viewing being equal to owning the movie later, is the projection quality. I can get a better, sharper image on my home system than they manage. A blurry screen resolution isn’t acceptable.
I have to say that my big takeaway here is that Tony must have actually stayed awake during some lit classes as an undergrad.
And now I kind of want to see fanfic of MCU characters debating literature.
@12. alana: With Thanos saying to Thor, paraphrasing Emerson, by way of The Wire: “When you come at the king, you best not miss.”